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RIP Chuck Berry

This is my favourite Chuck Berry clip simply for the wild eyed look he gets when Yoko One starts squealing as if someone had given her a Rubiks Cube suppository…

Turn It Up To 11

This Is Spinal Tap co-creators Christopher Guest and Michael McKean, along with the 1984 film’s director Rob Reiner, are now co-plaintiffs in Harry Shearer’s lawsuit against Vivendi and StudioCanal after allegedly being denied rightful profit participation from the rockumentary classic. On Tuesday, an amended lawsuit was filed in California federal court that also ups the damages demanded from $125 million to $400 million.

The bulk of the complaint remains similar to the original version as the four Spinal Tap artists allege being given just $81 in merchandising income and $98 in music sales income over the last few decades, plus not receiving accounting statements in the past three years. They allege Vivendi has engaged in “anti-competitive and unfair business practices and has abandoned its obligations to enforce intellectual property rights,” and bringing contract claims, they are seeking to regain rights to the property and collect compensatory and punitive damages.

More here – The Hollywood Reporter

Peter Gabriel On Music


 

How Pop Culture Wore Out Leonard Cohen’s ‘Hallelujah’

Leonard Cohen’s ballad “Hallelujah” has become so inescapable that the songwriter once asked for a break from his own track. “I think it’s a good song, but too many people sing it,” he told The Guardian in 2009, agreeing with a critic for The New York Times who asked for a moratorium on “Hallelujah” in movies.

It appears that the producers of Sunday night’s Emmy Awards were unaware of the unofficial ban. When the In Memoriam segment began, it was accompanied by Tori Kelly’s gentle acoustic guitar strumming as she started its first verse: “Well, I heard there was a secret chord.”

The reaction on Twitter was less cryptic: Another “Hallelujah” moment?

Few people noticed “Hallelujah” when Mr. Cohen released the track — part hymn, part love song — on Side 2 of his 1984 album “Various Positions,” but over the next few years, it caught the attention of artists like Bob Dylan (who played it live) and the former Velvet Underground member John Cale, who attempted his own version on the tribute album “I’m Your Fan.” In 1994, Jeff Buckley included an impassioned version on his LP “Grace,” which has become the cover that is most often imitated.

More here – The New York Times

How the Beatles’ ‘Revolver’ Gave Brian Wilson a Nervous Breakdown

When Brian Wilson first heard the Beatles’ 1965 album Rubber Soul, he was so astonished by the album that the next morning, he went straight to his piano and started writing “God Only Knows” with his songwriting partner Tony Asher.

Wilson knew that Rubber Soul — an album that contained the most mature songwriting from John Lennon, Paul McCartney and George Harrison yet, and exhibited the beginnings of a studio effects revolution — was a glimpse into the future of rock music, and that the Beatles were at the forefront. As cofounder of the Beach Boys, he knew that music was changing and for his group to stay on top in the industry, he would have to make something just as good, or better.

The result was Pet Sounds, released May 16, 1966. It was the Beach Boys’ greatest artistic achievement; one that would never be reached by the group again.

But for the Beatles, 1966 would prove to be just the beginning of an explosion of artistic and technological innovation that would not just change the group, but would alter rock music forever. Revolver — which turns 50 this month — was the culmination of that innovation. And it almost didn’t happen.

More here – Cuepoint

Speaking of Fads From The 1970’s

I came in this morning to see the Missus watching this…..


Remind me to take the batteries out of the remote to stop such future abominations…

Led Zeppelin Wins ‘Stairway to Heaven’ Jury Trial

Led Zeppelin has beaten a lawsuit claiming that the iconic guitar riff in “Stairway to Heaven” was copied from Spirit’s 1968 instrumental “Taurus.”

On Thursday, after a week’s worth of testimony and arguments, the jury came back with its verdict in a case that’s been decades in the making. At trial, Led Zeppelin members Jimmy Page and Robert Plant testified as well as Michael Skidmore, the Trustee of Spirit songwriter Randy Wolfe’s estate, who demanded in his lawsuita rewriting of Rock N Roll history. The jury also heard from a Spirit band member, musicologists and other witnesses and experts opining on such subjects as whether Led Zeppelin had heard “Taurus” before composing their popular song and whether the two songs were substantially similar.

In his lifetime, Randy Wolfe never sued and was ambivalent about doing so upon questions from those who pointed out similarities. After he died in 1997, Skidmore asserted an ownership interest in copyrighted sheet music and was able to push the case to trial despite decades of inaction and non-cooperation from Hollenbeck Music, the publishing company that had signed Randy Wolfe (performing as Randy California) in the 1960s as a teenager who was discovered by Jimi Hendrix. 

Both Page and Plant, who denied having access to “Taurus” despite performing concerts with Spirit decades ago, were on hand to hear the reading of the verdict. In his testimony, Page rejected many questions from plaintiff attorney Francis Malofiy that the songs were too similar to be coincidental. Page did, however, alter the official story of how “Stairway to Heaven” was created in 1970, puncturing the mythology that he holed himself up in a remote cottage in Wales called Bron-Yr-Aur, and by fireside, wrote it.

More here – The Hollywood Reporter

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