Sign in     Like us on Facebook Follow us on Twitter Watch us on YouTube

News and Blog

Join 5000 other sharemarket traders for regular blog updates!

Browse to a category

Blog Search

Before and After Chuck Berry

Chuck Berry himself would be the first to admit he didn’t invent rock ’n’ roll, but he came to define it in a series of iconic singles made between 1955 and 1959.

Mr. Berry wrote almost all his hits himself, and he drew from the music he loved — from the blues and boogie to country and Calypso. The result was a hybrid sound that, in 1955, was just beginning to be called “rock ’n’ roll.”

Here, an audio guide to just a few of his revolutionary songs: what came before, and what came after. Listen to the sound of rock ’n’ roll being made.

More here – The New York Times

RIP Chuck Berry

This is my favourite Chuck Berry clip simply for the wild eyed look he gets when Yoko One starts squealing as if someone had given her a Rubiks Cube suppository…

Turn It Up To 11

This Is Spinal Tap co-creators Christopher Guest and Michael McKean, along with the 1984 film’s director Rob Reiner, are now co-plaintiffs in Harry Shearer’s lawsuit against Vivendi and StudioCanal after allegedly being denied rightful profit participation from the rockumentary classic. On Tuesday, an amended lawsuit was filed in California federal court that also ups the damages demanded from $125 million to $400 million.

The bulk of the complaint remains similar to the original version as the four Spinal Tap artists allege being given just $81 in merchandising income and $98 in music sales income over the last few decades, plus not receiving accounting statements in the past three years. They allege Vivendi has engaged in “anti-competitive and unfair business practices and has abandoned its obligations to enforce intellectual property rights,” and bringing contract claims, they are seeking to regain rights to the property and collect compensatory and punitive damages.

More here – The Hollywood Reporter

Peter Gabriel On Music


 

How Pop Culture Wore Out Leonard Cohen’s ‘Hallelujah’

Leonard Cohen’s ballad “Hallelujah” has become so inescapable that the songwriter once asked for a break from his own track. “I think it’s a good song, but too many people sing it,” he told The Guardian in 2009, agreeing with a critic for The New York Times who asked for a moratorium on “Hallelujah” in movies.

It appears that the producers of Sunday night’s Emmy Awards were unaware of the unofficial ban. When the In Memoriam segment began, it was accompanied by Tori Kelly’s gentle acoustic guitar strumming as she started its first verse: “Well, I heard there was a secret chord.”

The reaction on Twitter was less cryptic: Another “Hallelujah” moment?

Few people noticed “Hallelujah” when Mr. Cohen released the track — part hymn, part love song — on Side 2 of his 1984 album “Various Positions,” but over the next few years, it caught the attention of artists like Bob Dylan (who played it live) and the former Velvet Underground member John Cale, who attempted his own version on the tribute album “I’m Your Fan.” In 1994, Jeff Buckley included an impassioned version on his LP “Grace,” which has become the cover that is most often imitated.

More here – The New York Times

How the Beatles’ ‘Revolver’ Gave Brian Wilson a Nervous Breakdown

When Brian Wilson first heard the Beatles’ 1965 album Rubber Soul, he was so astonished by the album that the next morning, he went straight to his piano and started writing “God Only Knows” with his songwriting partner Tony Asher.

Wilson knew that Rubber Soul — an album that contained the most mature songwriting from John Lennon, Paul McCartney and George Harrison yet, and exhibited the beginnings of a studio effects revolution — was a glimpse into the future of rock music, and that the Beatles were at the forefront. As cofounder of the Beach Boys, he knew that music was changing and for his group to stay on top in the industry, he would have to make something just as good, or better.

The result was Pet Sounds, released May 16, 1966. It was the Beach Boys’ greatest artistic achievement; one that would never be reached by the group again.

But for the Beatles, 1966 would prove to be just the beginning of an explosion of artistic and technological innovation that would not just change the group, but would alter rock music forever. Revolver — which turns 50 this month — was the culmination of that innovation. And it almost didn’t happen.

More here – Cuepoint

Speaking of Fads From The 1970’s

I came in this morning to see the Missus watching this…..


Remind me to take the batteries out of the remote to stop such future abominations…

General Advice Warning

The Trading Game Pty Ltd (ACN: 099 576 253) is an AFSL holder (Licence no: 468163). This information is correct at the time of publishing and may not be reproduced without formal permission. It is of a general nature and does not take into account your objectives, financial situation or needs. Before acting on any of the information you should consider its appropriateness, having regard to your own objectives, financial situation and needs.